Kali Audio LP-6 2nd Wave White (Τεμάχιο)

Kali Audio’s Lone Pine Series studio monitors are designed to allow you to hear every detail that’s happening in your mix. This starts with an exceptionally accurate frequency response. Whatever is present on your mix is what you’ll hear in these monitors. Nothing is boosted or suppressed to cover flaws or try to sound more pleasing.

With the LP-6 you can mix with more confidence, and you can also be assured that your mix will translate as best as possible to whatever systems your audience is using.

The 2nd Wave goes even further, utilizing a more robust DSP for an even flatter frequency response on the top end.

Accuracy
The LPs have always been praised for their accuracy, and we’re pleased to share that the 2nd Wave versions realize slight but noticeable improvements in that regard, particularly on the top end. Full resolution measurement data is available below. The data chart may be imported into REW for viewing.

Power
Kali Audio defines a listening distance as the maximum distance at which the speakers can play continuously at 85 dB while maintaining 20 dB dynamic headroom.

This means that anywhere within that listening distance, you can listen for long periods of time at reference volume, and momentary peaks such as bass drops or explosion effects will come through clearly and with minimal distortion.

Boundary EQ Control
A speaker’s given position in a space can drastically change it’s frequency response. A speaker placed against a wall or on a desk will sound very different than a speaker placed on a stand, even in a well-treated space. Hard surfaces like walls, desk tops, and recording consoles can change the low end frequency response of the monitor, and degrade the overall clarity of the sound.

Easy Connections
The LP-6 feature balanced XLR and TRS inputs, and an unbalanced RCA input. The RCA input can be set to -10 dBu sensitivity when you’re using consumer devices like a laptop or smartphone’s headphone jack.

3-D Imaging Waveguide
The waveguide on the Lone Pine Series studio monitors ensures that the directivity of the loudspeaker is smooth throughout its frequency response. What’s more: it’s calibrated so that the sound power of the loudspeaker helps you to perceive sound accurately.

Low Noise Port Tube
On most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as “chuffing,” or an audible air sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.

The port tube on LP-6 was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low end response of the speaker, while keeping the bass clean, tight, and devoid of extra noise.

Specifications

• Powered: Yes
• Amplifier Class: D
• Power Configuration: Bi-Amped
• HF Power: 40W (Continuous)
• LF Power: 40W (Continuous)
• Total Power: 80W (Continuous)
• HF Driver: 1-Inch Textile Dome
• LF Driver: 6.5-Inch Optimized Paper
• Crossover: 1500 Hz
• Frequency Response: (-10dB) 39 Hz – 25 kHz
• Frequency Range: (+/-3 dB) 47 Hz – 21 kHz
• Recommended Listening Distance: .5 – 2.5 Meters
• Max SPL (Peak @ 1M): 115 dB
• System THD:
  <3% from 80 Hz to 1.7 kHz
  <2% above 1.7 kHz
  (90dB SPL @1m)
• Unbalanced Inputs: 1 x RCA
• Balanced Inputs: 1 x XLR, 1 x TRS
• TRS/XLR Input Sensitivity: 94dB SPL @1m (anechoic) for +4dBu input.
• RCA Input Sensitivity:` 94dB SPL @1m (anechoic) for -10dBV input.
• Enclosure: Front Ported
• Dimensions:
  Height: 14.125 Inches (35.9 cm)
  Width: 8.75 Inches (22.2 cm)
  Depth: 10.25 Inches (26 cm)